So you want them to actually READ your CV?

I, Imi Woods, Animal Artist, have given myself a metaphorical kick up the backside and decided to start contacting galleries, shops and (gulp) agents.

I looked up “How to write an Artist’s CV” on Google.
It depressed the hell out of me.

“Avoid any formatting at all if possible. No columns, tabs, multiple spaces, words all in caps, quotation marks, or bold formatting. The only formatting needed is italics for exhibition names, article titles and prize names. Stick to one typeface for the entire document. Preferably something simple like Arial or Times Roman. Leave creativity for the art. The CV needs clarity.”

As a self-trained, as yet barely exhibited young Artist… I don’t yet have the facts to speak for me. I have passion, raw talent, beautiful paintings and lots of happy customers… but not the lists of Relevant Education, Exhibitions at the Tate or MoMA, Associations, Publications and Awards that they are really looking for. Sorry, I forgot, I do have the Year 9 Art Prize and I write a blog. I’ll be sure to put that on my CV…

I know that I am going places… I just need a leg up to get on the ladder.

So here are my tips for creating a memorable and interesting CV. The sort of CV that will help the Emerging Artist who doesn’t yet have all the facts to talk for them. It might just get you to the top of the pile… or at least keep you away from the bottom.
Feel free to use ideas from my CV below if you would like.
Please note, this is applicable to other industries too!

print screen of CV

1. Design an interesting layout. Note: a few columns and bullets does not mean interesting. Challenge yourself! Using a table format in Microsoft Word is easy and keeps all of your information in the right place. Keep it clean and functional… but with a bit of pizazz. I put a column going down the left hand side with my name and job title, separated by a block line.

2. Use a bit of colour. I know, not everyone is like me and excited by colours. But one colour as a strong theme running through the CV will draw the eye directly to your CV for the right reasons.

3. Be creative with photographs. This is what is the biggest selling point of my CV. I cut the background out of a photograph of me next to my Artist’s Statement and put it into greyscale. I virtually framed a couple of my paintings too. They are my biggest selling point at the moment, so I see no reason for them not to be put onto my CV. I also cut out the background of a photograph of me painting. I kept the painting in full colour, and greyscaled myself. I guess it says “my art speaks for me”.

4. Do your research about where you are applying to. Angle your CV to bring out qualities that are important to that institution. But don’t fabricate information, tell the facts as they are.

5. Keep your CV focussed. Don’t be a Jack of all trades but a Master of none. I cut out the paragraph detailing my current work on this CV. I feel I have learned a lot in my role as a Submissions Assistant, but can see how galleries would fail to see the relevance.

6. Oh my gosh, proof read your CV! Or get someone else to. Learn how to use that apostrophe correctly. Learn the difference between you’re and your. It’s not that difficult!

7. Show your enthusiasm. I know. Risky.
But right now, my enthusiasm is what is getting me places. People like enthusiastic, friendly people and want to work with them and give them opportunities. On applying for a display space recently in Reading, I was incredibly enthusiastic. Embarassingly so. I was excitable and probably showed my naivety, but received the following as a reply:

“You sound a really enthusiastic and friendly person, just what we need!! Look forward to meeting you soon, oh, and don’t change a thing, you’re fine as you are!”

Wouldn’t you rather buy artwork from someone who loves what they do than someone who is just doing it to pay the bills? I know I would.

*Disclaimer: I don’t know if this will work. Please don’t blame me if you follow my tips and your CV does get put to the bottom of the pile. Maybe galleries and agents are not kindred spirits. Maybe they really do want lists and no formatting. It’s surely worth a shot though, right?

Advertisements

8 thoughts on “So you want them to actually READ your CV?

      • Working on my cover letter now which is probably as important as the manuscript. If I don’t get them to turn that first page……..

        Thank you for your kind words.

  1. I think its great Imi. Refreshing and informative, very positive and reader friendly. People who see that CV will want to give it their full attention and read it. Well done 😉

  2. Isn’t that always the catch-22? You need to get experience so you can get a certain position, but no one will offer a position without the experience. That’s true of every creative field, I think (and non creative field too!)
    I think your CV looks outstanding. It’s clearly labeled and divided so there is organization with a bit of pizzazz. Good luck!
    PS – I sent my first “Imi Notecard” to a friend for her birthday. It was hard to send it off because I wanted to keep it for myself. 🙂

    • Yes it really is catch 22! Have you had to overcome that before? Thank you for your lovely comments! Fingers crossed galleries agree with you! Thrilled you are using your notecards! Very exciting that my work is jetting around America.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s