How to paint a barn owl

Meet a barn owl: I went to the Andover Hawk Conservancy and met little Echo. Ideally, I would have liked to keep him, but at least I got to take away some amazing photographs!

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Grid up your canvas: On this 20 by 20cm canvas, I went for squares of 5cm each, making sure that my photograph was also gridded up with the same dimensions. Then it’s a simple case of putting the basic shapes from the photograph into the same place on the canvas. Some artists may scorn at this approach, but to me it is just planning for success and avoids abortive work later on.

barn owl

Paint the background: For this painting I went for a simple matte violet (violet paint with a hint of white for extra creaminess.)

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Paint the face base coat: I find where you have white fur or feathers, paint a base of a purpley grey, and then use white over the top to add final detail.

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Rim the eyes: use long curled brushstrokes fanning out from around the eyes to create that characteristic heart shaped face.

Eye eye: paint the eyes as squashed circles, with a dark black surround and pupil, and a paler iris. Then put paler grey sheens where the light catches, and white glints.

Paint the beak: I used a pale pink, with a paler stripe down the middle. This then disappears into a darker tip, the same colour as the two (for want of a better word) nostrils. Then use white paint to flick little feathers over the top of the beak.

Body base coat: Start with a base of a slightly darker tan colour, using a mix of sienna, gold and white. Following this, add more white and gold and create areas of highlight and detail.

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Shades of grey: Barn owls have beautiful speckles of grey on their back and upper body. Refer to your photograph and use a mix of black, white and a hint of purple to give the grey an added dimension.

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Speckles on the speckles: I then cross hatched over the grey speckles using a darker grey and a lighter grey watery mix and a teeny tiny paintbrush.

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Finishing touches: Then I put on small black freckles with white tails. Check the photo if you don’t believe me! Bird’s feathers are so detailed and surprising when you look at them up close

Echo ARTbyIMI

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The Four Commissions of Christmas

On the first day of Christmas, commissioned to me, Lyra the dog for a lady named Dee.
I painted the piece mainly at a fair, many were captured and stopped to stare.
This painting was one I enjoyed the most, I missed it when it went in the post.

Lyra artbyimi

On the second piece, pressure began to show. It was a Samoyed surrounded by snow.
With one shade of paint I couldn’t be tight. Yes you have guessed, it was the white.
With purple shadows for snow and cream for the body, the outcome wasn’t too shoddy.

Zola artbyimi

The third commission I was stumped to begin. It was no animal, but a mandolin.
A mirrored surface and fiddly strings, I used best handwriting to write “Recording Kings”.
I painted a throw on which it sat, could have stitched it in the time it took to paint that!

Andrews Mandolin

Commission four was a kitten that lives on a boat, with wide green eyes and a tabby coat.
The painting began at my Christmas stand, surrounded by punters, paintbrush in hand.
Thin stripes of whiskers were the finishing touch, the end result I liked very much.Capi artbyimi

Merry Christmas everyone, enjoy your day, I hope Santa Claus has visited with his sleigh.
I’ve had lunch and games with my mum, dad and sister, now out for presents with the Mr.
My books are open in the new year. Commission some art for some cold weather cheer!