About Animal Art by Imi

I am an artist, mainly focussing on painting animals. I am happy to take commissions, and offer very competitive prices.

My art journey so far

Here is my art journey so far and exactly what art means in my life.

This used to be a page on my site, but I feel as if this part of my journey is over, and I am starting on a new phase of my life, where this is no longer so relevant… so I am taking it down but sharing it with you today. 

I did a GCSE and an A level in art, but I never really stood out until I found my talent for painting animals.

My Godmother asked me if I would have a go painting her late dog, Hattie, back in July 2009.
I agreed I would have a go, but warned her not to expect much!

I was wrong. I am still particularly proud of the nose and mouth, and I must admit, I admire it every time I go round.

hattie ARTbyIMI

I gave it to her as a thank you for tutoring me through my French A level.
It was the first time I have ever seen her speechless.

I started my first year of university and forgot about art for a year. I was too wrapped up in first-year-fun. But when my Grandpa commissioned me to paint him a tiger in Winter 2010, I jumped at the chance.
First-year-fun was matched with first-year-funds (or lack of) after all.

Raja ARTbyIMI

He hung it proudly in his conservatory and
it gave him great pleasure to look at.

With a free time on my hands the next February, I turned the living room of my house at university into my own personal art workshop, to the slight amusement / annoyance of my friends.

Ernie ARTbyIMI

Ernie the kingfisher was created really within the space of a couple of days, and I gave him as a gift to my dad who has always loved birds, especially kingfishers.
In fact, he is such a bird-swot, he discovered by the markings on the beak that Ernie was, in fact, female.

I finished my second year at university with a high 2:1,
and immediately started another painting in June 2011, having well and truly regained my thirst to create.

kingfisher ARTbyIMI  

This is my personal favourite, and it hangs on my wall. I don’t think I will ever sell it.

That summer I worked at a summer camp as a Creative Art Activity Instructor. It was the most carefree six weeks of my life so far, playing, laughing and teaching children how to make tortoises out of plasticine (among other equally useful skills).

In September 2011, I created a new project, which was a greater spotted woodpecker after seeing one in the garden.

woodpecker ARTbyIMI

This painting gets the most compliments as being “like a photograph”.
I have used it to form my logo for my business.

After starting back for my third year at university, things went downhill really really quickly. Stress and worry made me very ill, which made me stressed, worried and more ill.. I didn’t do much for the term other than worry a lot and (thankfully) work a lot in the library.
My confidence took a huge knock, and I became… someone meek and self absorbed who wasn’t really me.

I was asked to do a painting of my boyfriend’s grandmother’s dog, which I started tucked away in my room away from everyone. It stopped me from worrying too much, as my mind is a lot clearer when I paint.
Morris ARTbyIMI
It was then transported half-finished down south for the Christmas holidays. I finished it on Christmas day 2011, sprawled in front of the TV with my mum and dad, before heading round to my boyfriend’s house to present it.

I very quickly got asked to paint his grandmother’s partner’s dog too, which I pencilled out and painted within about 48 hours in February 2012 when things were all getting a bit too much.
I remember it being a rare worry-free day, and I felt like myself again as I painted it.

Basil ARTbyIMI

This painting again got a lot of compliments.

The owner was very pleased with it and showed it off to his fellow dog-walkers.

During Easter 2012, I volunteered at an Art-based therapy workshop. It was open to help support people who experienced mental distress, such as depression, substance addiction and chronic illness. It was very therapeutic for me to be around people who were being healed through art, and it helped me to snap out of my self pity.

I was able to submit a painting into their annual exhibition for all workers, volunteers and members. I created a painting of a puffin, who I named “Little Brother” after the Latin name. Apparently their white and black feathers look like monks robes.

Little brother ARTbyIMI

I was slowly beginning to heal. My confidence started to return as I realised I was still interesting, talented and worth knowing. Art played a huge part in that due to its ability to quieten my mind, fill me with pride, and bring happiness to others.

I then went back to university to sit my final exams.
They were tough, but I coped well, and was much more myself again.

I graduated with a first class degree and immediately got offered a job.
Things were beginning to fall back into place again.

I decided to paint my boyfriend a large painting for his 23rd birthday in August 2012.
It was a personal challenge because I am used to painting animals.
I got it framed and I am very pleased with how it turned out.
Planes ARTbyIMI

It is in pride of place on his wall.
He told me that if he saw it in a shop he would have wanted it :)

After a few weeks at my new job, I showed a few people my paintings on my phone.
I got a lot of compliments around the office about my talent.

My mentor at work had her first wedding anniversary approaching in September 2012.
She commissioned me to paint a lemur to give to her husband for a present.
The couple got married in Marwell Zoo and are animal mad.

It took me between 30-40 hours work. The pressure was on truly on!
I really wanted to create something beautiful for my first non-family commission.

Lemur ARTbyIMI

It was put on the wall at work for a day while my ego inflated.
She loved it, as did her husband, and I got personal thanks from them both.

I was learning fast at work, and was given more and more responsibility, but I still found the time to paint another puffin.
It took me many weeks to find stolen hours to finish before I was finally happy with the result.

puffin ARTbyIMI

I sold this painting to my Godmother; it is currently in her lounge near her golden retriever (the beginnings of a collection!)

Towards the end of 2012, my painting life hotted up! I worked after work and stolen hours at weekends to complete this painting for my nutritionist.

Frosts ARTbyIMI

She was thrilled when I presented it to her.
It is already up on the wall in her office space for everyone to see.

I got approached by a man at my work who had heard about my art.
He asked me if I would paint him a cat for his wife’s Christmas present.
The painting was quite a challenge, especially getting the face right, as I had not painted cats before.
Spike ARTbyIMI

The painting went down a storm with his wife, who “thinks the cat is really there” every time she sees the painting.

I managed to sneak in another Christmas commission for my mentor at work, a repeat customer, previous owner of my lovely lemur. It was a present for her in-laws, of their little terrier, Rosie.

Rosie ARTbyIMI

She absolutely loved it, and I heard that her in-laws loved it too and thought it was the “spitting image” of their cute little dog.

I found out about the British Wildlife Competition online and was very keen to enter, under the category of “World Birds”.
I created this painting of a golden pheasant on a large canvas.
Golden pheasants are bizarre, how on earth an orange feathered, purple-tipped, yellow Mohawk-ed bird adapted I do not know, but it was a pleasure and a big challenge to paint.

goldenpheasantjan13wm

I didn’t get shortlisted. Oh well. Mum does love having the painting on her wall!

My Godmother commissioned me to paint her current Golden Retriever, Annie, to hang next to Hattie. Life got in the way during this painting, so it took me a couple of weeks for me to complete it. The eye took me about five hours of painting and repainting for me to finally be happy. Painting was not as relaxing as normal during those hours!!

Annie ARTbyIMI

The two dogs will look very fine together on her wall. 

Since painting the golden retriever, I have thrown more and more time into forwarding my business and really getting my name out there. I have got a stall booked for a local fayre so have been busy ordering giclée prints and greeting cards and setting up a Newsletter! I am seeing it as a big investment in my future!

I decided my next painting would be a Tawny Owl. When it was just 1/3 finished, it was reserved by an interested buyer! It was such a challenge but a true pleasure to paint! I named it Nelson, after my Grannie who loved all owls.
IMG_1563
Nelson has been bought and will soon be jetting off to Canada to mark the beginning of IMI paintings overseas! 

Still thrown into fayre preparations, I found time to paint a cute jackass penguin on a 50x50cm canvas. The sea and sand were the biggest challenge for me, as they required a lot of persistence and patience.

Penguin ARTbyIMI

I was so pleased with how it turned out! 

Most recently, I have painted a little King Charles Cavalier Spaniel. I rushed to get it completed before the fayre so that he could come with me and cheer me on.
Bertie ARTbyIMI

Maybe due to the painting or due to me, the fayre was a success and I got a lot of lovely comments. The owner came to pick up her painting on Tuesday and I received a hand written note of thanks stating how much she loves it. 

I am working on a couple of projects at the moment but they are secret and not ready to share!!

I feel as though I am moving forward… painting and my art business has gone from being my calm-down activity into a full blown lifestyle.

I am so much happier and healthier and back to ME again.

One day I will conquer the art world, but for now, at least I have sort of conquered myself!!

 

Have you ever noticed a beginning to a new phase of your life? Have you given your site an overhaul as it no longer felt like you?

Advertisements

Like squats… only for your face.

On Monday, I had my first stall EVER at Rowledge Village Fayre.

But what did I learn from this experience?

IMG_1604

1. Don’t underestimate the weather: I obsessively checked the weather for about ten days before the fayre. As I grew closer to the big day, I was checking four or five times a day. Great! No rain due! Glance over the fact that there are gale force winds. 

I arrived at the fayre two and a half hours before kick off to set up my wall-less gazebo. As soon as my stock was put onto the table, it was blown over, even my large glass-fronted framed print kept toppling over. My large orange display board? Forget it, that was threatening to fall over on my head, catapulting my original paintings everywhere.

Thank goodness for mum’s friend offering me a space in the big gazebo. Everyone shoved along and, although it was cosy, it saved the fayre for me.

2. Do some warm up facial exercises beforehand: I am generally a smiley person anyway, but no person’s face is used to smiling constantly for over four hours! Think of it like doing squats in the weeks leading up to a skiing trip… only for your face. Face squats.  My Stall!

3. Paint on the day, but don’t expect a masterpiece: I didn’t take all of my paints and paintbrushes with me. I couldn’t get close to my photograph, and I couldn’t zoom in on a screen like at home to see the detail.

BUT it looks great, and it invites people to watch you without feeling pressured to talk to you. Its a conversation starter! My friends from work said “Now we have seen proof that you actually DO paint!” It makes your artwork authentic and more personal. 

Photo: Talented artist at work

4. I am king of the kids: The tiniest little boy stared in complete rapture as I painted a meercat. I had no idea that little boys’ attention spans could be that trained on something that wasn’t going VRRROOOOM VROOOOM! After a while, he told me “that is a really good painting.” in a sincere and strangely adult way.

Another little girl kept coming back to watch me, saying “I wish I could paint like that”. I told her that at her age, I couldn’t either, and if she started practicing now – she would probably be better than me one day! Inspirational words!

5. I need to man up: Imogen! Be brave! People have spent a while watching you paint and complimenting your talents. Give them a business card, invite them to sign up to your newsletter for the chance to win a painting! Do something or you are the nameless girl at the fayre who can paint, but other than that you are forgotten.

For any blog readers, I am doing my prize draw in June. Anyone who subscribes to my newsletter is in with the chance to win a bespoke painting worth £95! If you have always wanted a painting, what have you got to lose? In my own words, man up!

logonewsletter2

6. Don’t forget about your main market: At the fayre, I branded myself mainly as a painter of birds. I forgot my pet portrait leaflets, and I neglected the market of dog owners who were all conveniently at the fayre entering Fido into the “Waggiest Tail” contest. What a wally.

flyer

7.  People are wonderful: Seriously. I felt overwhelmed with all the lovely comments I received. I am so thankful to everyone who came to support me, including the strangers who have no previous investment in me – who just genuinely like what I have to offer!

One lady flicking through my portfolio said “Your paintings are more lifelike than the photographs!” Wow. Day made! 

What have you learned in retrospect after a big event?

Going off photo when the photo is… off

Caution: the following includes an artist with a serious case of “a bad workman blames his tools” syndrome.

As an artist who strives to get animals as accurate as I possibly can,
going off-photo goes against all my principals. 

Funnily enough, it is only when I perceive the photograph to be “wrong” that painting stops being a lovely relaxing experience that comes naturally to me.

Instead, it can instantly become stressful, and I can be heard muttering “hate this stupid dog / eye / leg / insert anything here”.

It’s at that point that I know that a quick fix is not possible. The photograph looks all wrong, and to avoid my painting looking all wrong, I have to go off book, or find a new bit of photograph to copy.

Exhibit A… the loveliest little King Charles Cavalier Spaniel, Bertie.
bertie

Look at his lovely face, fluffy ears and glinty eyes.
Awww. That makes for a lovely relaxing painting session, with a hint of a challenge.

Now scroll back up and look at those legs.
What the heck is going on there???
They are all over the place!

Paws are conveniently cropped out of the image, so I can’t really even work out what is back leg and front leg, what is body and what is tail.

I am left stumped as to what is going on and to how on earth I will paint this random assortment of white limbs.

So I painted it as per the photograph.

And as expected, it looked all wrong.

My own mother gave herself the role of “Quality Control” and told me I needed to change it.

Grumble Grumble.

I love painting, but I don’t love repainting a painting that I thought was a finished painting.

 Back to the drawing board!!

How to prepare for your first art stall

Hello everybody,

This is a little guide on what I have learned for far in preparing for my first art stall at Rowledge Village Fayre. It hasn’t happened yet, so things could still go very very wrong… But I feel like I have learned a lot, so thought I would share my learnings with you today!

1. Never underestimate how much you have to invest: Bulk buying greeting cards, giclee prints and other items is EXPENSIVE. I was prepared for that. What I wasn’t prepared for was how much everything else costs!

You know those little mounts that you get around fine art prints, and even school photographs? They are as expensive as the print itself. And they just get thrown away. Then you add plastic wallets to put them in. EX PEN SIVE.

To keep my (and the customer’s) costs down, I got plastic wallets and just plain cardboard which I attached photo corners to to keep the print secure… considerably reducing the price of presentation of each print, but not impacting on how professional they still look.

2. People need to be shown exactly how to display your goods: Don’t leave it up to imagination, if your prints look great with a black frame and a smart mount, show people by investing in a nice frame. I am getting an A3 kingfisher framed to show people just how fantastic it looks. As proud painter and owner of the original, I hate to say it, but the framed print looks better!

3. The most simple of stalls still has many complex things holding it together. How do you create height to make an interesting display? How do you make all of your products look professional? How do you catch people’s eye in the first place? How do you hang items? Next time you visit a stall, look at all of these things. They all take lots of planning and lots of cost, especially the first time round.

I am planning on using coloured boxes to display my prints, cards and paintings at different heights on the table. I have borrowed two three-panel boards from my mum to hang my paintings off. I have drawn birds eye views of where the table, easel, boards and stock will go. Next weekend I plan on having a practice set up of everything to see how it all looks together.

4. Your painting time will seriously suffer: I am spending so much of my time thinking, writing blogs and newsletters, planning and buying for the fayre that any time spent actually painting is very limited. Someone once told me that when starting a new art business, about 50% of your time will be taken up with running the business, not actually painting. More like 80%!

5. Test the market by getting greeting cards in many many designs: A good quality place will send proofs through to you to make sure the colours are right before you buy. The proofs of mine are done and look great! I am getting between ten and twenty of each card, because who am I to say what people will like the best? I know which are my favourites, but which are yours?

6. Email addresses of interested customers are like gold dust: Create a newsletter so you can get people to subscribe to it – emails and advertising! In my opinion, my newsletter is full of interest and creativity, and I enjoy reading it… but for those that need extra incentive, I am choosing one lucky subscriber at random to win a painting on June 1st. I will tell every customer about this amazing opportunity so hopefully I will get lots of interest!

logonewsletter2

7. The little details will make you memorable: In each print and each greeting card, I am putting one of my business cards with a handwritten note saying “thank you for your custom!” or similar. I really really appreciate ANYONE who buys from me and supports my business, no matter how small a purchase. Even just a like on facebook. I appreciate it all! So tell them.

8. Be prepared for your boyfriend to appoint himself Managing Director and Marketing Manager of your company: I actually got told to “check with me before you make any business decisions please.” He was being serious. His Dad also seems to have appointed himself ‘Marketing Executive’… I feel there may be competition!

What important lessons have you learned in the lead up to a big event?

Pick up a paintbrush and paint a penguin

Over the last couple of weeks, I have been painting an African Penguin skipping on a beach and eating a tasty fish.

The photograph was lent to me by a man at work. I loved the beautiful lights on the water, the pastel colours of the background contrasted with the black and white of the penguin. It was an exciting project and a brand new challenge to me.

The perks of being an Artist over a photographer though, are you can eliminate the tell-tale signs of captivity – the tag on the wing, the half masticated fish. I could also get rid of imperfections like the irregular beak and the red eye.
photo

The result – quite pleasing if you ask me!

You will need:

  • About 50 hours.
  • 50 x 50cm canvas
  • Photograph to copy
  • Large flat paintbrush
  • Range of smaller round paintbrushes
  • Large playmat
  • Water
  • Pencil
  • Ruler
  • Masking tape
  • Rubber
  • Acrylic paint for sea:
    • White
    • Deep Turquoise
    • Process Cyan
    • Flesh Tint
    • Leaf Green
    • Phthalo Turquoise
    • Cadmium Yellow
  • Sand:
    • Burnt Umber
    • Burnt Sienna
    • Flesh Tint
    • Rich Gold
    • White
    • Mars Black
    • Silver
  • Penguin:
    • Mars Black
    • White
    • Flesh Tint
    • Metallic Blue
    • Silver
    • Burnt Umber
    • Burgandy
  • Fish
    • Silver
    • Leaf Green
    • Burgandy
    • White

A fully stocked artist’s box is not a bad thing – makes all that paint so much more affordable over many years.

  1. Draw up your canvas: see here for a detailed how to guide!
    IMAG0950
  2. Paint in the water: Firstly do a colour wash in a pale blue, then use a large flat brush to paint horizontal strips of colour in varying shades across the area. The photograph was better than life – with gorgeous shades of green, yellow, blue and even peach.  The trick is keeping all the brushstrokes in the same direction and building up layers and layers which takes hours but is worth it!
    water
     
  3. Paint in the sand: Paint a colour wash in flesh tint over the area. They use a variety of rounded brushes to paint speckles of varying browns, silvers, white, sand colours over the entire area. This requires you building up layers, even more so than the sea. You will probably get impatient like I did and have to do this over several sessions. Keep referring back to your photograph to get big stones etc in the right place.Then paint the shadow. The trick here is to create a really watery black paint, with absolutely no white in it to make it creamier. Just neat black with water. Then use a flat brush to wipe this over the area so that all the stones and sand can still be seen through.
    sand
  4. Paint the wings: First do a wash in black. Then use slightly paler purple and bluey shades to create volume and areas of light. On the near wing, use metallic blue and silver paint to give it a wet look, and paint a white strip where the sun bounces off it. Keep all of your brush strokes horizontal to match with the direction of the feathers.
    wings 
  5. Paint the back: If you refer back to the photograph, you will see lots and lots of black feathers standing on end, glistening with oil and sunlight. To capture this, do a black colour wash, then use a little round brush and dab lines of small silver, grey and white dots to act as the tips of every feather. Going further down the back, the feathers lie flatter, so use longer brush strokes, angling them diagonally down the back.
    IMAG0980 
  6. Paint the softer white areas: Use white paint with a teeny bit of black mixed in to create areas of shadow. African Penguins have little grey speckles on their bellies too, so be sure to show this in your painting.
    IMAG0988
  7. Paint the face: Use the same technique as the back to create an area of light and areas of shadow on the face.
    IMAG0990
  8. Paint in the beak: I went off photo for the beak, to find a more visually pleasing one on another African Penguin! Use black, grey and silver, score likes and texture into it, and leave a gap between the top and bottom beak to show the background through. IMAG0995
  9. Paint in the fish! The original photo had a cooked and half cut up piece of fish. I wanted a fresh fish in my picture, so found one on the internet. Use shiny silver and pale greens to capture the beautiful shimmer of the scales.
    IMAG0999IMAG1020
  10. Paint in the feet: Use similar colours to paint the feet, carefully following the photograph to create mottled skin.
    Penguin ARTbyIMI

Ta daaaa

What do you think of my p p p penguin?

And more importantly, what should I name him?

 

 

How naïve to think that Artists have time to paint!

logonewsletter

Sales pitch over.

I have a secret to share…
Preparing for a fayre, holding down a full time job, eating, sleeping AND finding time to paint is nigh on impossible.
If you throw in enjoying the sunshine and doing a bit of exercise then you get to the situation I am in now. That situation does not involve a paint brush.

On the other hand, the business side of my business is flourishing.
On Saturday, I will visit Otters Pool Studio print shop to look at the proofs of three of my paintings! I will then give the nod for 40 limited edition prints in the three designs to be created!

The designs I finally chose are:
IMG_1563kingfisher ARTbyIMIwoodpecker ARTbyIMI

Thank you for your help in choosing them!

I have bought cellophane bags for the prints to go in, I have bought cardboard backing, I have bought struts to keep them rigid and undamaged.
No-one ever tells you how much these little throw-aways add up to!

Ten designs of greeting cards are also rushing their way to me by post right now!
I will then order the ones I like best to sell at the Fayre – monitoring to see which are the most popular designs.

I have created order forms and newsletter sign up forms.
I have arranged to borrow a gazebo, and a three panel display board.
I have written my first newsletter which is raring to be released to the world!

Most excitingly, I have created a to-do list, which is OH SO SATISFYING to tick off another finished item.

Rowledge Village Fayre, I am nearly ready for you……

The list is still long, but this weekend it will take the back burner!
I am going to be a hermit on a Friday evening (shock horror) and paint (SHOCK HORROR!) and watch Grand Designs and other high quality programmes which allow me to imagine my future barn conversion with art studio, swimming pool and photography studio. A girl can dream.

image from chloeulis.com.

Do you feel you have enough time to do the things you love? 

The 30 second sales patter

Sales pitch: My pilot newsletter is written and waiting for more subscribers before it gets sent out into the big bad world. Hopefully it will make the big bad world a prettier more creative world. You wont know unless you subscribe.

In the not too distant future, I will be selecting one of my subscribers at random to win a painting. At the moment, there is a very large chance it will be won by my mother.  You have been duly warned!
logonewsletter2

Anyway, onto today’s subject. The 30 second sales patter.

It has come to my attention from my recent dog-walks-without-dog-but-with-boyfriend-instead that I needed a sales patter when presenting my flyers to a mixture of interested and uninterested dog walkers.

With the first few flyers, the patter was as follows:

blog2
“Hello, I’m a local animal artist…
so I like paint pictures of pets
and dogs and stuff.
Is that something you’d be interested in?”

 

I got a few outright “no”s.
I wasn’t pulling that face. I like to think I was smiling sweetly.
And I wasn’t even on skype… I was right there.

That sales pitch was not the strongest. I  repeated myself three times to these poor dog walkers. Four if you count the “stuff” “I paint animals… pets… dogs…stuff!”

I then confronted them into making an immediate decision “is that something you’d be interested in?”  

“Ahhh no thankyouuuu” they were probably thinking, “I just wanna scoop some poop and get outta here.”

***************************

Between dog walkers, I practised my talk with my apparently business savvy pitching partner. He picked out  my mistakes and didn’t get too bored with hearing the same thing over and over. Maybe because I promised to contribute a whole £1 towards a slice of cake in the tea shop. Generosity.

Image
“Hello I am a local animal artist.
I specialise in painting dogs and birds.
Is that something you’d be interested in?”

 

Dammit it had come out again! An involuntary confrontational language tick!
Boyfriend / Mr Sales “You shouldn’t limit what you specialise in. You can paint all animals!”
Animal artist extraordinaire: “I didn’t mean to… heyy – thanks!” 

***************************

With the last one I had sort of perfected it.

Image
“Hello! I am a local artist.
I specialise in painting pets and wildlife.
You can see my entire portfolio at this link here!”

*shows link*

 

That there is my “look, I painted this bird” face.
But I don’t just specialise in painting birds. I also paint dogs.

Dammit!

***************************

Any ideas on how to improve my sales patter?
Looks like I need further business savvy.

Fayres, newsletters and honest opinions

Hello ART by IMI followers 🙂

Some exciting things have been happening over the past week since beginning my Month of Paint. I would really appreciate some honest feedback from you all to progress my excitement further.

Month of Paint update

So far during my month of paint, I have got this far on a new penguin painting. It is a long way from ready but I am really pleased with how it is progressing. IMAG0960_1[1]

I also had to resort to doodling when away from my paints:

IMAG0963[1]

I have to admit I have somewhat bent the rules in my month of paint.
I changed them to be “spending at least an hour forwarding my business / creating art”

It may be a slight cop out but I don’t care because at last I feel like I am getting somewhere with this venture.

Rowledge Village Fayre

I have booked to have a stall at the Rowledge Village Fayre on the 27th May. This makes me giddy with excitement at the thought of all those people I will get to meet and show off my skills. I am going to see it as an investment, as the amount of money and time I have to put out in preparation will probably far exceed anything I get back this time.

Creating prints

I am getting high quality giclée prints made of three of my paintings, which will be for sale at the fayre and later on my Etsy shop. I need your help choosing which of my paintings to get made into prints. Please will you head over to my gallery and leave me a comment with your thoughts?

I am also getting greeting cards made in a larger number of designs. Again I would really appreciate your help choosing the designs!
woodpecker ARTbyIMIkingfisher ARTbyIMILittle brother ARTbyIMINelson ARTbyIMIErnie ARTbyIMIgoldenpheasantjan13wmpuffin ARTbyIMI

Art society member 

I have become a member of the Farnham Art Society which is very exciting. I can now go along to their meetings, meet other local artists, and hopefully next year will be be promoted to an Exhibiting member. 

.farnham art soc

ART by IMI newsletter

I have just created a monthly newsletter which will have information about my art, local artist events, promotions I am offering and creative input from elsewhere. You can get on the mailing list by clicking the button below!
artbyiminewsletter

Facebook

I am only two likes away from getting 100 followers on Facebook. This is not a big number but it is a small milestone. If you could boost that to 100, you will make me a very happy lady.

And there we are. Lots of exciting news, and lots and lots to prepare. I would love to hear your feedback 🙂

Love, Imi

How to paint a Tawny… Owl by yourself!

As promised, I have been a busy bee over the bank holiday weekend as it is now officially April, my Month of Paint! I finished off painting this little cutie today. His name is Nelson, not after Mandela, but my Grannie, who loved all owls.

If you pay particular attention throughout this guide, you can see me sporting a lovely range of pyjamas. I really am spoiling you.

You will need:

  • About 30 hours!
  • 30cm x 40cm canvas
  • Photograph to copy
  • Large flat paintbrush
  • Range of smaller round paintbrushes
  • Large playmat
  • Water
  • Pencil
  • Ruler
  • Masking tape
  • Background Acrylic Paint:
    • Cadmium Red
    • Burgandy
  • Owl Acrylic Paint:
    • White
    • Burnt Sienna
    • Burnt Umber
    • Raw Umber
    • Rich Gold
    • Mars Black
    • Hooker Green (small amount)

Canvas Preparation

1. Choose your composition. I cropped my photograph really close so I could focus on the face and feathers and have as little background as possible.

Nelson the tawny photo
I grid up my photographs using microsoft word

2. Mark up your canvas. For a 30 x 40 canvas it is easiest to do 5cm2 squares. If you grid out your photo on a screen, make sure that your scaled dimensions are the same. You will probably have to crop parts of your photo and expand it to fill the space.

3. Draw the outline shape of your subject onto the canvas, following the corresponding squares on your screen. For a more detailed way of doing this, see here.

IMAG0911
I just draw the main lines and markings

Painting the background

1. Mix Cadmium Red and double quantities of Burgundy together with a bit of water. This creates a beautiful rich damson colour. You can add a hint of white to make it more creamy.

2. Paint about four layers of paint over your background area. This will create a solid matte colour. Hold it up to the light. Can you see through it? If so, paint another layer!

IMAG0918
You can overlap the foreground as you will paint over this later.

Painting the owl

At first glance, I thought… how on earth am I going to get everything in the right place?! There is so much going on!
Then I chilled out a bit and decided to take a little bit at a time. What a life lesson.

1. Use masking tape to section off areas to paint: I started from the bottom taking the right hand corner, and gradually worked my way up the canvas in 5cm strips, completing each strip before moving onto the next.
IMAG0920
My art gear of choice was blue striped pyjamas. 

2.  Start with a wash of Burnt Umber mixed with white. This creates a brilliant basis to build up layers of white feathers over the top.
IMAG0921
The more layers you build up, the fluffier it will look

3. Use a cocktail stick to create finer lines and texture in the feathers. Scratch the black bards into place using a near black. Scratch little flicks of white feathers. Some feathers will look softer and fluffier, so use a little paintbrush to achieve this look.

Who would think my pyjamas would be so famous!
Who would think my pyjamas would be so famous!

4. Complete the whole strip using the same techniques, making sure the black and brown bards are painted into the right place. Keep referring back to your photograph – it’s only a little section, you can get everything in the right place easily!

IMAG0924
My photography skills are second to none.

5. Section off the strip above using masking tape. Paint on any bards and darker areas of feathers, blending them into the finished part below.

Be careful to blend the two sections together or you will get a visible line.
Be careful to blend the two sections together or you will get a visible line.

6. Build up layers using streaks of white and tan colours, using your cocktail stick to make texture and individual feathers. The body of the owl is generally paler and greyer, and becomes more coloured and brown towards the face.

IMAG0928
You can see that by taking it section by section, you can get it really accurate.

7. Introduce browns and golds to the upper chest area, below the face. The feathers here are darker, with more golden pigments than the lower belly (all very technical terms!). Make the paint really nice and thick, building up the layers with differing shades. Use your cocktail stick to introduce little speckles to the feathers.  Please keep referring to your photograph to get markings in exactly the right place. I assure you that patience is the only way to get a photo-realistic finish.

IMAG0929IMAG0930
With a little patience, the feathers are not as daunting as they first seem.

8. Begin on the facial disk. Below the face is a white fluffy curve, framing the cute little face. Use really thick white paint here and score shapes into it using a cocktail stick. Then add black, gold and brown mottles to it on top of the thick wet white paint.
IMAG0934
You can see the glints of gold I am starting to work in. 

9. Paint the area surrounding the beak a pale browny grey. Then score thin white and darker grey hairs into it to make it textured and fluffy.
IMAG0936
Use a cocktail stick to create texture.

10. Surround the eyes with tan, white and pale brown paint, using longer curved brush strokes  Continue to build up layer upon layer, with paler colours on the top layers. Paint the brown strip down the middle of the face, and overlap the face hairs to create a semi-symmetrical pattern.
IMAG0940
Keep painting on layer after layer for thick fluffy fur.

11. Paint the eyes deep black, then rim them with pale grey. Create pale grey glints in the eyes to make them look glassy and real. Put grey lines above and below to define the eye socket.
IMAG0942
He just came to life when I painted in the eyes.

12. Paint the disk surrounding the face, using small dabs of tans, browns and black. Again, continue to build up layers, joining the face and the surrounding disk with a darker join. Put dabs of gold into it to make the painting really eye catching.
IMAG0944
At this point, my dad normally starts going “its very clever”

13. Paint the visible wing with a brown wash, then dab several layers in shades of light brown and tan into it.
IMAG0945
Do you see the resemblance?!

14. Mix up a pale yellowy green for the beak. Put shadows in a more grey green and a highlight in a paler colour down the middle of the beak, then paint on little nostrils using near black paint.
IMAG0947
Are they called nostrils??

15. Neaten up any smudges on the background and then SIGN!
Nelson ARTbyIMI
I am a little bit in love with little Nelson 

Let me know what you think, and stay tuned for lots of updates throughout April, my Month of Paint! 

My Etsy Shop

logoshop

Hello Everyone!

You can now order and buy my art worldwide through my Etsy Shop!

You can find me at http://www.etsy.com/shop/ARTbyIMI.

I will continue to add items over the weekend, so please have a browse!

Love Imi

A month of paint

Painting is one of the activities I love the most. I feel happy when I know I have an afternoon with a film and a paintbrush… with company nearby if I need it! It is also a huge part of my healing and emotional wellbeing journey, as it quiets my mind and fills me with a sense of calm. I harp on and on about all the benefits and how much I enjoy it… but I haven’t actually done any at all for weeks.

Last week I was in Austria skiing which I guess is a fairly valid excuse. Paints are heavy, and I had very little time left in my day after skiing, swimming, supper, sauna, steam rooms and sleep (I know… what a hard life!). I don’t have any excuse for my days in England, apart from… I just couldn’t motivate myself to get the paints out after a day at work. Too much faff. Awful from a girl who wants to make a career out of this faff!!Image

Starting from April 1st, I am making it my mission to spend at least an hour a day painting or creating for the whole month. This may not sound too taxing, but other commitments such as a full time job, zumba, friends home for the Easter break and weekends with the boyfriend will make this pretty tricky. I will whip out my watercolour pencils at lunch or on the train, curl up in front of the TV after work with my box of acrylics and a chunky canvas, or use my long neglected sketchbook round at my boyfriend’s.

I don’t have any commissions in the pipeline (it’s the perfect time to swoop if you want a painting) so I will paint a range of recent photographs (such as beautiful shots of the Austrian Alps) kingfishers, owls, ducks and whatever takes my fancy. They will just have to decorate my room until they find a permanent home! If anyone has any other suggestions or photographs they have taken that would make a great piece of art, please please contact me!

I will document my progress weekly on my blog, sharing photos of my creations and weighing up the stress of finding time for obligatory art with the emotional benefits that painting brings.

Image

Stay tuned for my month of paint!

How to paint a Golden Retriever

This guide tells you how I painted Annie the Golden Retriever for my Godmother. She is a friendly energetic dog and very much loved. I finally got to see her today to hand over my masterpiece.

You will need:

  • Paint – Dog: Flesh tint, Burnt Umber, Raw Umber, White, Mars Black, Burgandy, Violet, Rich Gold
    Grass: Sap Green, Olive Green Burgandy, Violet, Lemon Yellow, Raw Umber etc.
  • A Canvas –  I use 30cmx40cm as standard
  • Playmat – I use a big old plastic table cloth
  • Paintbrushes – a large flat one and a variety of small round ones.
  • A pot of water
  • A palette – I use foil cases from quiches.
  • A photograph to copy – I have mine up on my laptop screen with gridlines drawn on
  • A pencil
  • A ruler.

Canvas Preparation

1. Mark up your canvas. For a 30 x 40 canvas it is easiest to do 5cm2 squares. If you grid out your photo on a screen, make sure that your scaled dimensions are the same. You will probably have to crop parts of your photo and expand it to fill the space. With this painting, I made the call that the edge of the paws could be missed out to make the rest of the dog fit onto the canvas.

IMAG0867_1[1]

2. Draw the outline shape of your subject onto the canvas, following the corresponding squares on your screen. For a more detailed way of doing this, see here.

Painting Grass

If your background is grass, you can follow this guide for long grass, and this guide for short grass.

IMAG0881[1]

Painting a Golden Retriever  

1. Paint areas of shadow on the face with a grey / Flesh Tint, Burgandy mix. The areas around the nose seem to be darker, whereas under the eyes is blonder.

IMAG0882[1]

2. Use paler colours on areas of light (Flesh Tint, White, Raw Umber) and small sweeping brushstrokes with a little rounded brush to create fine hairs all over the face, concentrating on areas of light and shadow. Outline the nose in a near black, and use black to draw the gums. Use small dots of white to create hair follicles around the nose.

IMAG0883[1]

3. Continue adding layers of hair and volume on the face, and rim the eye in black with a gentler grey surround.

IMAG0884[2]

4. Start to paint the ear. Firstly paint a short colour wash in a mix of Raw Umber, Burgandy, Burnt Umber, with the ear becoming darker and more shadowy towards the bottom. Then when that is dry, create little curlier hairs in white, Flesh Tint and Raw Umber.

IMAG0886[1]

5. Start to paint down towards the dog’s chest using your big flat paintbrush. Using Violet mixed with white creates really natural looking areas of shadow for a predominantly white chest.

IMAG0887[1]

6. Lengthen areas of shadow (greys, Violet, Burgandy, Flesh Tint etc) up the dog’s back and towards her paws.

IMAG0889[1]

7. Pay attention to the direction of the hairs and blanched out areas. Little curly patterns of hairs formed on the back of this photograph, so I used longer brushstrokes in a roundabout motion to capture this.

IMAG0891[1]

8. Keep adding layer after layer to make the painting look really 3D and fluffy. Work over the shadow with lighter tones, using little sweeping brushstrokes.

IMAG0893[1]

9. Continue the shadow down the legs using a grey based paint. Create lots of individual hairs with a watery white / Flesh Tint, going lighter and lighter towards the paws.

IMAG0895[1]

10. Lengthen strands of grass to come over the dog’s body to join background and foreground together.

IMAG0899[1]

11. The dog’s eye was a REAL challenge for me. I know it looks fairly done in the photos above but it just wasn’t quite right. I ended up painting over it entirely to try again. It put about five hours onto the end of my painting. I had to study other photographs of Annie to appreciate her nutty brown eye colour – which didn’t come across in the photo I was copying. Anyway, I am finally pleased with it.

eyes

FINITO. I estimate this took me about 30-35 hours although I never keep proper tabs on these things.

Annie 2 ARTbyIMI

Please let me know what you think!

How to paint long grass in acrylic

I have already written a How to paint grass guide here.
It may surprise you to know that this is my most popular post ever, so I thought I would write another focussing on long grass. It is a different technique and a new skill to learn after all.

You will need:

  • Paint for Grass: Sap Green, Olive Green, Burgandy, Violet, Lemon Yellow, Raw Umber, burnt umber, black, etc.
  • A Canvas –  I use 30cmx40cm as standard
  • Playmat – I use a big old plastic table cloth
  • Paintbrushes – a large flat one and a variety of small round ones.
  • A pot of water
  • A palette – I use foil cases from quiches.
  • A photograph to copy – I have mine up on my laptop screen with gridlines drawn on
  • A pencil
  • A ruler.

Canvas Preparation

1. Mark up your canvas. For a 30 x 40 canvas it is easiest to do 5cm2 squares. If you grid out your photo on a screen, make sure that your scaled dimensions are the same.

2. Draw the outline shape of your subject onto the canvas, following the corresponding squares on your screen. For a more detailed way of doing this, see here.

Painting Long Grass

1. Create a colour wash over the grass area in a watered down sap green using a large flat brush.

IMAG0871_1[1]

Here you can see the watery wash over the background

2. Start to pick out areas of light and dark with a small rounded paintbrush. Use gentle dabbing with your paintbrush in a watery white to create little soft focus flowers.

IMAG0873_1[1]

In the right hand corner you can see the beginnings of flowers

3. Pay attention to the direction of the grass, and use a variety of watery shades and a quick sweeping  movement to get that feeling of motion.

IMAG0876_1[1]

Here you can see the grass being blown around through the directions of my brushstrokes

4. Make glints of sunlight with a Rich Gold paint, and break up dark shadow with longer strands of grass in paler colours 

IMAG0881[1]

Have a look at part 2 – Finishing the Golden Retriever. 
I haven’t yet given her to her owner so can’t ruin the surprise on here!!

Business promotion and dodgy packing

My flyers arrived! On Sunday I dragged my boyfriend out on a cold walk and we headed to the woods, flyers in hand. I wimped out and avoided approaching a couple of “Man and man’s best friend on a mission” types, but managed to approach four groups of people to share my talent and direct them over here. If you have stumbled upon my website after receiving a flyer – Hello! My future is painting and I need you lovely people to share the news and get my name out there!
This weekend I also (nearly) finished my latest painting of a golden retriever. Just an eye is outstanding because I just can’t get it right!

I am now away on business (I sound so important) so the eye will have to wait. My packing practices for this trip have been bizarre to say the least. I remembered my hot water bottle… I forgot pyjamas. I remembered spinach and salad dressing… and three different types of nuts (cheeky) but I forgot a phone charger. I woke up in the middle of the night worrying so much about what I would forget for my holiday that I had to write a list to be able to go back to sleep again. “salt, chopped tomatoes, soup, phone charger, hair ties and sketch pad” made it onto my midnight panic list. The essentials (!)

Cannot wait to get home, finish my retriever and go to the Wildlife Photography Art Exhibition on Saturday. Hopefully on Sunday I can get walking and hand out more flyers! I have quite a week to get through first.

What essentials have you forgotten to pack? Is there a way to avoid putting your life on hold while you are away? 

Every day motivation

Aside

This quote really struck a chord with me today, and I am sure it will with a lot of people.
It motivated me to do the things I have been meaning to, instead of letting life get in the way.

The Dalai Lama, when asked what surprised him most about humanity, answered:

“Man. Because he sacrifices his health in order to make money. Then he sacrifices his money in order to recuperate his health. And then he is so anxious about the future that he doesn’t enjoy the present; the result being that he does not live in the present or the future; he lives as if he is never going to die, and he dies having never really lived.”

Thank you to Noora for sharing that.

It motivated me to finally buy marketing materials for my business. When they arrive I will put on my wellies and my biggest smile and go out on dog walks and meet people and their lovely animals. I will be able to reach more people and let them know how much I enjoy painting and how good I am.  I will gain new custom, and maybe even new friends that I wouldn’t have got otherwise. One day, I will accomplish my dream of spending my days painting and making a comfortable living from it. One day, I will own my own dog and paint him too. 

For the meantime, its the little things I do which keep me in balance of health, calm and presence, and I have to admit, I haven’t quite managed it today. I am looking forward to this weekend, when I can pretend that one day is today and will turn:
Image

into:

  Image

Taking back Lancaster

A big part of me blamed Lancaster for last year. I associated it with sadness, loneliness and pain when it really did nothing to deserve it (except rain a lot.) When I returned down south for holidays or long weekends, I clung to home and became very fearful of travelling up north again back to that place. One journey (I had been worrying about it for days) I became more ill and uncomfortable the further north I got – eyes watering in pain as I got into Lancaster again. It was a very physical sign of fear and overwhelm. Not just the workings of an insane woman.

When I graduated, I bid Lancaster farewell – not as fearful of it, but the association still deeply ingrained.

This time was different. I played out the best possible scenario of the weekend in my head, deciding it was definitely achievable. I drew on the train in watercolour pencil, which further set my mind at rest.

IMAG0865_1[1] IMAG0866[1]

As my train rolled into Lancaster station, I looked around in nostalgia (probably helped by the lack of rain!). I walked down the hil into town and saw that the market was on, packed with people selling their wares. I remembered happy visits in first and second years, tasting the variety of food available, stocking up on fresh vegetables, checking out the brick a brack of soap, scarves, jewellry, old books… dog treats…

Walking up the hill towards my friends house, I passed a restaurant we had visited to celebrate the end of exams in second year, the town hall, the cathedral and the memorial. Genuinely happy to be back.

That evening I visited my old friends, the same crowd that stuck together throughout the three years of university. Things clicked into place again and it felt like we had never been apart, despite me being fairly vacant for months last year.

We went out to the same club we frequented so many times over the years. I didnt drink a drop of alcohol but I bounced around, giddy to be surrounded by these people again in this familiar place. I made myself believe before we set off that it would be okay, and it was!

On arriving home again I was greeted by some very sad news. I’ve had a victory this week though, I took back Lancaster!

How to paint a golden pheasant

I painted a golden pheasant to enter into the Wildlife Artist of the Year competition 2013. It is on a 70cm x 70cm canvas, and it used a lot of paint! But I am pleased with it, so thought I would share with you today how it was born.

 You will need:

  • A 70cm x 70cm canvas
  • Your photograph with gridlines drawn on, (this can be on your laptop screen)
  • Lots and lots of colours of acrylic paint (including GOLD, purple and yellow 🙂
  • A palette (I use empty foil dishes from quiches. My parents are quiche fans!)
  • Water
  • Masking tape
  • A variety of sizes of paintbrushes (large flat ones, a set of varying sizes of little rounded ones)
  • A playmat!
  1. Firstly I drew up my canvas, gridding on the main outlines of the bird and the many different sections of feathers to the corresponding square on my photograph.

    IMAG0777[2]

  2. Next I did a thin colour wash on each section. A bit like painting by numbers!
    IMAG0793[1]
  3. With the section of thin yellow feathers on his back, I firstly painted the section a darkish yellowy browny colour. I then used a little round brush and pale yellows and oranges to swipe little feathers onto the canvas. This part took ages as I really wanted it to match the photograph totally.
    IMAG0795[1]

     

  4. With the orange feathers with purple tips, I firstly painted it orange. I then sectioned off parts using masking tape as it all looked the same! This enabled me to paint the purple patterns onto the canvas in exactly the right place.

    IMAG0799[1]

  5. After I had finished this, I proceeded to go over and over this section with swipes of white, yellow, orange and gold to make the feathers look 3D. I used blue, purple and metalic blue on the tips, again using a little rounded brush.

    IMAG0811[1]

  6. With the blue feathers at the bottom, I used varying shades of blues and purple and white to create large feather shapes.
  7. With the pink feathers, I used the little rounded brush again, with a mix of purple, magenta and white feathers, constantly referring to the photograph to get areas of light and dark in the correct place

    IMAG0812[1]

  8. With the narrow blue feathers above the yellow section and below the orange section (I am losing track too!) I firstly painted it dark blue. Then I used metallic blue mixed with normal blue and a touch of white to create a 3D effect when I painted each feather shape.
  9. Next I concentrated on the face , using my littlest brush, and a range of browns and purples and my favourite colour, flesh tint! I used little curly brush strokes to make the face fluffy.
    IMAG0813[1]
  10. I painted the eye using white with a hint of green, to create a pale aqua. I made sure to put a little white gleam on the pupil.
  11. I used a fairly large round brush and thick yellow paint to create the mohawk, using long sweeping brushstrokes in varying shades of yellow. I then used white paint to create strands of hair caught by the light.
    IMAG0818[1]
  12. Finally, with the beak, I used browns and gold paint to create a shiny pointy beak.
  13. Its not my normal style, but I painted the background last! Im normally a firm believer in painting backgrounds first. However, I really couldnt decide what to do with it. I plumped with a base of sap green, using my hands to rub in lighter areas with white and yellow and darker areas with purple to create a soft focus.
    goldenpheasantjan13wm

Ta daaa – Hope you liked the guide and let me know what you think!
I will keep you posted on how I do in the competition!

Rules are different when its snowing… right?

Some people find pleasure from sharing negativity, but I am not one of them.

I have seen several little instances around me of just that this week.

The first involved me. A guard fined me on the train for travelling without a railfare.

Satisfactory in itself, but I had sought him out specifically to pay, I wasn’t attempting to rob national rail, and it had been perfectly acceptable, sometimes even encouraged on all journeys prior. And it was snowing. Everyone knows that all rules are relaxed when it is snowing… right?!

Woods in snow

“Why don’t you have a valid ticket?”
“I guess I didn’t give enough time to walk to the station this morning in the snow… And I didn’t fancy waiting half an hour in the cold either when I could get on a nice warm train… nor did I fancy being late for my meeting at work…”

Apparently these weren’t good excuses, although I think they are pretty up there, only just below “My waters broke and I needed to get the train to hospital” or “insert another emergency situation here.”

I think he got a lot of pleasure from exerting this power, but not as much as I did muttering “jobsworth” under my breath and imagining him going home to his unsatisfying life still living at home with his mother and their pet gerbil, and putting on his Simpsons boxset.

The second instance was a man (also on the train) telling a lady off for making short (and in my opinion, quiet) phone conversation in the “quiet zone”, before he proceeded to natter more loudly to his wife.

“It says ‘no phones’, not no voices. We don’t make the rules.”

Don’t most people only sit in the quiet zone to try to avoid the shrieking child that runs around the carriage for the entire hour of journey? (My treat last week.)

It leads me to wonder, what is the point? You don’t make yourself any happier for doing that, and you don’t make others around you happier either. The accusee in question proceeded to point out a rather loud text coming through on the accuser’s phone five minutes, and rightly so – it disrupted me far more than her 2 minute phone call (although I couldn’t really care less about either, I was only there to avoid the crying children (sorry to any mothers reading.)

I have to admit, I do get wrapped up in what other people say and do around me, and let it affect me far more than I ought to. I used to stew over stuff like that for days, not letting things go that only deserve fleeting attention at most. But I am getting better at “not sweating the small stuff”. You can read my article on the Ramblings today which tells of my journey so far of letting go of worries and focusing on happiness instead!

When I need to give my brain a rest, I paint. My boyfriend actually joined me in playing with paint yesterday, which I really appreciated. We holed up in front of the television and watched the Prison Break box set (manly) and painted together. I succeeded in completing my painting of a golden pheasant for the British Wildlife Painting Competition , the most bizarre-looking animal. How is it adaptively advantageous to have orange feathers with purple tips, a yellow Mohawk and a pink body?

Image

I also drew some dog outlines for my boyfriend’s mum’s class at school (She’s a teacher before you wonder!) I found it pretty challenging actually, just drawing free hand. Back to basics for me!

Image

How is everybody this week? Hopefully sharing good moods and not ruining other people’s just for the sake of it!

“So how was your 2012?”

“So how was your 2012?”

…seemed to be a pretty standard question floating around last night.
Mine was ok. Not brilliant. But it saved itself in the last half.

So here are a few of my highlights, and let us forget all the bad, hard and sad parts because they no longer matter!

I painted this in February 2012, to the delight of the owner.

I painted this in February 2012, to the delight of the owner.

dissertation

I wrote and submitted a 10,000 word dissertation, gaining a first class mark.

I watched my boyfriend graduate his phase 2 training.

I watched my boyfriend graduate his phase 2 training.

I painted some puffins in some stolen free time.

I painted some puffins in some stolen free time.

I I spemt a carefree week partying after my final exams with all my university friends

I spent a carefree week partying after my final exams with all my university friends. In fancy dress. My favourite.

I went on the harry potter studio tour with a close friend, where the phrase of the day seemed to be "MIND BLOWN!"

I went on the harry potter studio tour with a close friend, where the phrase of the day seemed to be “MIND BLOWN!”

I started my job and got to go down the tunnels in the underground. Dressed in orange.

I started my job and got to go down the tunnels in London  Underground. Dressed in orange.

graduation

Two weeks after starting my job, I graduated with a first class degree, in front of my family and boyfriend.

I went to the Olympic games with the lovely boyfriend, and the Paralympics with my mum

I went to the Olympic games with the lovely boyfriend, and the Paralympics with my mum!

I painted the red arrows for my boyfriends birthday present. It was mainly painted while on skype to him, under the guise of "another puffin..."

I painted the red arrows for my boyfriends birthday present. It was mainly painted while on skype to him, under the guise of “another puffin…”

jk

I “met” (in the loosest sense of the word) my idol JK Rowling ❤ I couldn’t say anything more to her than “THANKS” but I didn’t meant thanks for signing my book, I meant thanks for making my childhood magical…

I painted my nutritionists greyhound / whippet

I painted my nutritionists greyhound / whippet

I have so far been commissioned to do 3 paintings for work colleagues.

I painted three commissions  for work colleagues.

I had a great christmas with my family, my boyfriend and his family... and to top it off had a fun new years eve.

I had a great Christmas with my family, my boyfriend and his family… and to top it off had a fun new years eve.

And most importantly, my attitude has changed. Now I know change is possible, and if I see myself thinking irrationally, I will catch myself (70% of the time).

I will think “is it a good use of my time to worry about this and be negative?” which has helped me go a LONG way in my health and happiness 🙂

So how was your 2012?  

How to paint a Cairn Terrier

This guide tells you how I set about painting a little golden terrier for a lady at my work. A repeat customer, previous owner of a lovely lemur. It was a present to her in laws for Christmas.

With this painting, we decided together to keep the background plain, to keep the costs and painting time down. You can see here that this backfired disastrously as it took twice as long to do. No, I don’t know how either!

You will need:

  • paint: I used System 3 acrylic paint in the following colours:

Mars Black, Titanium White, Flesh Tint, Burnt Sienna, Raw Umber, Burnt Umber,
Velvet Purple, Cadminium Red, Burnt Sienna, Rich Gold, Magenta, etc.

  • A variety of paintbrushes
  • Masking tape
  • Water
  • Play mat
  • Easel
  • photograph or photographs of your subject
  • a canvas
    rosie photo

1. Grid up and draw out your canvas. You can read a detailed post how to do this here.
Basically, it used to involve a ruler, a photograph, a pencil and a canvas and a bit of maths.

Recently, my printer has become broken and I have become lazy, so I draw up a rather sneaky grid on my computer (an exact scale of my 30cm x 40cm canvas) and then crop and shrink my photograph to fit it on the screen.

Why did I never think of it before?!

IMAG0753

It does always help to have a print out though, or else your laptop will start to look a bit like mine. (Covered in paint and quite broken…)

1. Paint in the background using a large flat brush. So far I have done posts on how to do leaves and grass. This background was plain, so I mixed up some damson paint (magenta, a bit of black and a bit of violet) and painted the entire background in one matte colour.

Don’t worry too much if the background goes into your dog- that’s why you put it on first!

To paint the dog, I used my brand new posh paintbrushes that I got for my birthday, and WOW they made a difference. Such a pleasure to use them, and they made really lovely fine strokes that looked just like fine hairs. Maybe this painting was only good because of these lovely paintbushes. Who knows…

1. Start with the tail. I did the dark area of shadow first in burnt umber and black, before using raw umber, flesh tint, white etc to weave in some lighter shades.

IMG-20121216-WA0005

2. Create a wash in raw sienna over the dogs back, then extend your little brushstrokes round using a series of little sweeping brushstrokes in burnt umber, burnt sienna and raw sienna and flesh tint, gradually using lighter shades towards the dog’s main body.

IMG-20121216-WA0004

3. This type of terrier’s back has a speckle of several different colours through it- grey, golden shades and cream shades. Start by painting a wash in grey over the back, before using your little rounded paintbrush to blend and weave other colours in.

IMG-20121216-WA0002

4. The tummy was softer and longer fur, so use longer motions, still using your small round brush in shades of brown and creams to achieve this look
IMG-20121216-WA0007

6. The ears had the shortest hair, more like velvety fur. Use only tiny brush strokes in slightly more golden, darker colours to create this.

7. The paws also have quite short hair, so a very small brush should be used with small repetitive movements to achieve this look. Keep referring back to your photograph, zooming in on the screen to make sure that you have got the shape of the paws right, and the number of pads etc. An owner will always know if it’s not quite right!

IMAG0756

7. The face had a large variety of different colours. The hair is long again on the face, and droops downwards, so be sure to show this using downwards motions with your brush.

Around the ears, there were complex areas of shadow in the folds, and the hair goes in a variety of directions. Pay particular attention to your photograph to get this bit spot on.

The dog also had a cute fluffy pale beard, so use flesh tint, raw sienna and white to create this.

IMAG0757

8. The eyebrows were paler than the rest of the face, and long and droopy. Use long sweeping brushstrokes to frame the eye, then sweep them outwards like whiskers.

IMAG0760

9. The dog had big dark eyes that looked down and were hidden by eyebrow. Firstly I painted in dark grey eyes, with neat black to rim them. I then picked out glints of white, around the bottom of the eyeballs. I then used my artistic licence to add glints of white on the round of the eyeball to give the impression that the dog was looking directly at you.

IMAG0762

10. Paint the nose big and grey, then frame the bottom in black paint and a little inverted u for each nostril. The dog’s fur extended into the nose at the top, so I used my little round paintbrush to put in some hairs and some glints of white.

IMAG0761

11. Add long pale droopy hairs and whiskers around the mouth, nose and ears, using your littlest paintbrush and watered down paint to get really smooth lines.

12. Finally draw the dogs shadow, using a very  thin wash of a dark brown or black, with no white shades in it. This will make the dog look 3D and stand out from the canvas.

Rosiepainting