As promised, I have been a busy bee over the bank holiday weekend as it is now officially April, my Month of Paint! I finished off painting this little cutie today. His name is Nelson, not after Mandela, but my Grannie, who loved all owls.
If you pay particular attention throughout this guide, you can see me sporting a lovely range of pyjamas. I really am spoiling you.
You will need:
- About 30 hours!
- 30cm x 40cm canvas
- Photograph to copy
- Large flat paintbrush
- Range of smaller round paintbrushes
- Large playmat
- Masking tape
- Background Acrylic Paint:
- Cadmium Red
- Owl Acrylic Paint:
- Burnt Sienna
- Burnt Umber
- Raw Umber
- Rich Gold
- Mars Black
- Hooker Green (small amount)
1. Choose your composition. I cropped my photograph really close so I could focus on the face and feathers and have as little background as possible.
I grid up my photographs using microsoft word
2. Mark up your canvas. For a 30 x 40 canvas it is easiest to do 5cm2 squares. If you grid out your photo on a screen, make sure that your scaled dimensions are the same. You will probably have to crop parts of your photo and expand it to fill the space.
3. Draw the outline shape of your subject onto the canvas, following the corresponding squares on your screen. For a more detailed way of doing this, see here.
Painting the background
1. Mix Cadmium Red and double quantities of Burgundy together with a bit of water. This creates a beautiful rich damson colour. You can add a hint of white to make it more creamy.
2. Paint about four layers of paint over your background area. This will create a solid matte colour. Hold it up to the light. Can you see through it? If so, paint another layer!
You can overlap the foreground as you will paint over this later.
Painting the owl
At first glance, I thought… how on earth am I going to get everything in the right place?! There is so much going on!
Then I chilled out a bit and decided to take a little bit at a time. What a life lesson.
1. Use masking tape to section off areas to paint: I started from the bottom taking the right hand corner, and gradually worked my way up the canvas in 5cm strips, completing each strip before moving onto the next.
My art gear of choice was blue striped pyjamas.
2. Start with a wash of Burnt Umber mixed with white. This creates a brilliant basis to build up layers of white feathers over the top.
The more layers you build up, the fluffier it will look
3. Use a cocktail stick to create finer lines and texture in the feathers. Scratch the black bards into place using a near black. Scratch little flicks of white feathers. Some feathers will look softer and fluffier, so use a little paintbrush to achieve this look.
Who would think my pyjamas would be so famous!
4. Complete the whole strip using the same techniques, making sure the black and brown bards are painted into the right place. Keep referring back to your photograph – it’s only a little section, you can get everything in the right place easily!
5. Section off the strip above using masking tape. Paint on any bards and darker areas of feathers, blending them into the finished part below.
Be careful to blend the two sections together or you will get a visible line.
6. Build up layers using streaks of white and tan colours, using your cocktail stick to make texture and individual feathers. The body of the owl is generally paler and greyer, and becomes more coloured and brown towards the face.
7. Introduce browns and golds to the upper chest area, below the face. The feathers here are darker, with more golden pigments than the lower belly (all very technical terms!). Make the paint really nice and thick, building up the layers with differing shades. Use your cocktail stick to introduce little speckles to the feathers. Please keep referring to your photograph to get markings in exactly the right place. I assure you that patience is the only way to get a photo-realistic finish.
8. Begin on the facial disk. Below the face is a white fluffy curve, framing the cute little face. Use really thick white paint here and score shapes into it using a cocktail stick. Then add black, gold and brown mottles to it on top of the thick wet white paint.
You can see the glints of gold I am starting to work in.
10. Surround the eyes with tan, white and pale brown paint, using longer curved brush strokes Continue to build up layer upon layer, with paler colours on the top layers. Paint the brown strip down the middle of the face, and overlap the face hairs to create a semi-symmetrical pattern.
Keep painting on layer after layer for thick fluffy fur.
11. Paint the eyes deep black, then rim them with pale grey. Create pale grey glints in the eyes to make them look glassy and real. Put grey lines above and below to define the eye socket.
He just came to life when I painted in the eyes.
12. Paint the disk surrounding the face, using small dabs of tans, browns and black. Again, continue to build up layers, joining the face and the surrounding disk with a darker join. Put dabs of gold into it to make the painting really eye catching.
At this point, my dad normally starts going “its very clever”
14. Mix up a pale yellowy green for the beak. Put shadows in a more grey green and a highlight in a paler colour down the middle of the beak, then paint on little nostrils using near black paint.
Are they called nostrils??
Let me know what you think, and stay tuned for lots of updates throughout April, my Month of Paint!